"The production of psychogeographical maps, or even the introduction of alterations such as more or less arbitrarily transposing
maps of two different regions, can contribute to clarifying certain wanderings that express not subordination to randomness
but total insubordination to habitual influences (influences generally categorized as tourism, that popular drug as
repugnant as sports or buying on credit)." Debord
La fabrication de cartes psychogéographiques...peuvent contribuer à éclairer certains déplacements d’un caractère non certes de gratuité, mais de parfaite insoumission aux sollicitations habituelles
totally epic / michelle chang
Notes
Ongoing
12 24 10 va
what are you doing the rest of your life?
12 12 10 ny
10 21 10 ny
09 28 10 ny
04 25 09 ny
04 11 09 va
04 10 09 va
Ongoing
12 24 10 va
what are you doing the rest of your life?
12 12 10 ny
10 21 10 ny
Excellent speech is not becoming to a fool
09 28 10 ny
"Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience."
Roland Barthes. The Eiffel Tower and Other Mythologies
04 25 09 ny
- CLOUD:
- unit: fibers (cotton, cotton candy), many tiny hairs
- relation to ground/surface: elevated
- source: accumulation
- example: BMW Plant, Leipzig. Zaha Hadid (vectors)
- relation to ground/surface: elevated
- FOAM:
- unit: packed spheres / minimal surfaces (bubbles (0), styrofoam (1))
- relation to ground/surface: contiguous
- source: point
- example: Amsterdam Orphanage. Aldo van Eyck
- relation to ground/surface: contiguous
- in relation to music:
- relation to ground = relation to tonic (or key)
- source = method of melody/harmony/form making
- a) foam : -o- tonal (micro)homophonic (fennesz - city of light)
- b) cloud : _o_ atonal (micro)polyphonic (ligeti - volumina)
- source = method of melody/harmony/form making
04 11 09 va
lost at sea
last frontier - most extreme border/threshold condition
Capsized in Mare Incognitum
last frontier - most extreme border/threshold condition
04 10 09 va
Kubler-Ross Model:stages of grief
- denial
- anger
- bargaining
- depression
- acceptance
domestic violence - entrapment (of inmates); ever present fear - everything is domesticized --> world becomes completely interiorized
another condition where world is interiorized = airport
domesticization of space - familiarized (what is familiar is fear/being objectified)
trapped in the closet (place to store possessions)
public becomes private (?)
Barthes. A Lover's Discourse. 'As a jealous man, I suffer four times over: because I am jealous, because I blame myself for being so, because I fear my jealousy will wound the other, because I allow myself to be subject to a banality: I suffer from being excluded, from being aggressive, from being crazy and from being common.'
from OED:
b. port of entry n. a harbour, airport, or border crossing through which people and goods may enter a country, esp. under customs and immigration supervision. Cf. PORT n.3 6.
c. port of call n. a place where a ship stops on a voyage; (in extended use) a point, typically one of a series, at which one stops briefly or to which one has recourse during a journey or procedure.
b. port of entry n. a harbour, airport, or border crossing through which people and goods may enter a country, esp. under customs and immigration supervision. Cf. PORT n.3 6.
c. port of call n. a place where a ship stops on a voyage; (in extended use) a point, typically one of a series, at which one stops briefly or to which one has recourse during a journey or procedure.

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